Everybody Starts Out Writing Bad Queries (I)

Everybody writes bad queries, at least at first. There’s no set way to create one, advice conflicts on what to put in one, and frankly, it’s a skill like any other- you must practice it to excel at it.

In light of #queryfail #queryslam and SlushPileHell, I’d like to take another approach. Most people don’t have their learning curve slapped up on the Internet and soundly mocked, and I don’t think writers should, either. But people are going to do what they’re going to do– what’s important is how we respond to them.

So I’d like to share with y’all my first query, for my very first novel. It’s NOT a good query. I’m not proud of it. But I want you to know that I learned from this lousy query. And I learned from my naively crafted* first book. And eventually, I got competent enough that my query sold my book, I got manuscript requests, and I signed with an agent.

So here it is, in all its awful glory, so you can learn from it too!

Dear Ms. Agent:

Short skirts, cheap gin, and jazz reigned in 1928, but they never made it past the front gates of Weston Prep. More gothic than ivy, Weston tried to make gentlemen of near-society boys, but when JT Keller, a sheltered Catholic boy from Baltimore, and Jesse Stein, a townie who preferred playing Juliet to Romeo, accepted places in the class of 1932, Weston pretty much failed.

Initially homesick and baffled by strange customs, JT slowly absorbs some of the best, and the worst, traits from his new friends in their quest to run the school, scheme a way for Jesse to move in, and at the same time, oust the roommate they never wanted. In “Weston Boys,” JT discovers his father isn’t perfect, friends keep secrets together and from each other, and that an entire world can end in a single, black Monday.

{TOO LONG! What’s the book about? Who the heck are all these random people?! And why should we care about JT and his daddy issues??}

My name is Saundra Mitchell, and I have been a working writer for twelve years. For the last four years (and currently,) I’ve been the head writer for Dreaming Tree Films’ short film series, “Book of Stories,” with over forty short film productions, and next year, principal photography will begin on my first feature, “A Rain of Blood.” I have also published fiction with ATM Magazine and Smokelong Quarterly, poetry with Poems Niederngasse, Doll World Magazine, and Parnassus, non-fiction with @Internet Magazine and The Familiar Magazine, among others.

{This is all completely random. Writing scripts is interesting, but has nothing to do with writing novels, or my ability to do so. Neither does writing essays or poems– and the one thing that really matters, the fiction publications, are smooshed in with everything else.}

“Weston Boys” is my first novel, a literary piece in the vein of O’Neill’s “At Swim, Two Boys,” and Wolff’s “Old School.” I would like to submit it for your consideration; it’s complete at 75,511 words, and a full or partial manuscript is available on request. Thank you in advance for your time, and I look forward to hearing from you.

{This is also a mess. First of all, one does not call oneself literary- and I should have used the full name of the authors I’m namechecking. Second of all, I haven’t told this poor agent whether this is a picture book, YA fiction or adult mainstream fiction. Third of all, saying it’s complete is all the agent needs to know- they’ll ask for a full or partial based on their needs.}

Sincerely,

Saundra Mitchell

{I got that part right, at least!}

And This is Why The Problem is Not the Books

I wanted to say a little more about boys, books and what’s out there in YA. The position I have, I feel absolutely comfortable having because there are actual YA novels that speak to the male experience, and/or feature male protagonists. Boys have not been entirely shut out; they’re not in a position where they can’t see representations of themselves in their fiction.

YA novels about boys are absolutely less common, there are absolutely fewer male YA authors– but they’re not non-existent.

Using Harold Underdown’s numbers, we get 4000 new YA novels a year. At most, at the outside most, 100 of them will be lead titles. The ones everyone hears about, the ones with massive marketing pushes and publicity out the wazoo. The rest languish in the midlist. My novels are midlist; most YA authors’ novels are. They’re harder to find unless you already know what you want.

I believe completely and entirely that we, as a society, need to start teaching our young men that books about girls are for boystoo. But I also believe in putting books in hands, first and foremost. So I’d like to share a list of books featuring young men, many about the male experience, many written by men.

With a few exceptions, these are books that came out in the last couple years. I’m not going to dig back 10, 20, 30 years. You can find these novels on your library shelves or at your local bookseller right now.

Ashfall by Mike Mullin
The Afterlife by Gary Soto
The Barnaby Grimes series by Paul Stewart and Chris Riddell
The Body of Christopher Creed by Carol Plum-Ucci
Boyfriends with Girlfriends by Alex Sanchez
The Dark Days of Hamburger Halpin by Josh Berk
The Deathday Letter by Shaun Hutchinson
Diary of a Part-Time Indian by Sherman Alexie
Dull Boy by Sarah Cross
The Demon’s Lexicon series by Sarah Rees Brennan
Flash Burnout by LK Madigan
The Fourth Stall by Chris Rylander
Gentlemen and Trapped by Michael Northrop
Ghetto Cowboy and Yummy by G. Neri
Going Bovine by Libba Bray
Harry Potter and the Absolutely Everything by J.K. Rowling
The Hunger Games by Suzanne Collins
I Will Save You by Matt de la Pena
Leviathan and Behemoth by Scott Westerfeld
Looking for Alaska and An Abundance of Katherines by John Green
Mamba Point and Mudville by Kurtis Scaletta
Maze Runner by James Dashner
Me and the Morgue by John Ford
The Monstrumologist by Rick Yancey
Okay For Now by Gary D. Schmidt
Percy Jackson & The Immortals series by Rick Riordan
Rot & Ruin by Jonathan Maberry
The Secret Year by Jennifer Hubbard
Struts & Frets and Misfit by Jon Skovron
Stupid Fast by Geoff Herbach
Suck It Up and You Don’t Know About Me by Brian Meehl
The Vladimir Tod series by Heather Brewer
The World as We Knew It and The Dead and the Gone by Susan Beth Pfeffer
White Cat and Red Glove by Holly Black
will grayson/Will Grayson by David Levithan and John Green
Witch Eyes by Scott Tracey
You Killed Wesley Payne by Sean Beaudoin

This list is by no means exhaustive. These are just some of the books that I have personally read in the last couple of years. I know I’ve forgotten some that I absolutely loved, and I apologize to those authors right now. My brain only holds so much! To get more fantastic suggestions, check out Guys Lit Wire and Guys Read.

Because those books that Robert Lipsyte swore didn’t exist in his NYT article– they’re out there.

The problem is not the books.

The Problem is Not The Books

The NYT bleats the alarm, omfg, what about all the boys who don’t have books to read?!

And I quote Michael Cart from said article:

“We need more good works of realistic fiction, nonfiction, graphic novels, on- or ­offline, that invite boys to reflect on what kinds of men they want to become.”

To which I reply, those books already exist. Women have for centuries managed to read material written by men, about men, and still walk away being able to figure out how those stories apply to them. To be fair, we had to, and in many cases, continue to have to.

News flash: the only markets in which women dominate literature are romance and YA. All the rest of it is predominately male and male-oriented. Somehow, though, James Patterson and John Grisham still manage to be bestsellers– because women are reading their novels.

The problem that needs to be fixed is not kick all the girls out of YA, it’s teach boys that stories featuring female protagonists or written by female authors also apply to them. Boys fall in love. Boys want to be important. Boys have hopes and fears and dreams and ambitions. What boys also have is a sexist society in which they are belittled for “liking girl stuff.” Male is neutral, female is specific.

I heard someone mention that Sarah Rees Brennan’s THE DEMON’S LEXICON would be great for boys, but they’d never read it with that cover. Friends, then the problem is NOT with the book. It’s with the society that’s raising that boy. It’s with the community who inculcated that boy with the idea that he can’t read a book with an attractive guy on the cover.

Here’s how we solve the OMG SO MANY GIRLS IN YA problem: quit treating women like secondary appendages. Quit treating women’s art like it’s a niche, novelty creation only for girls. Quit teaching boys to fear the feminine, quit insisting that it’s a hardship for men to have to relate to anything that doesn’t specifically cater to them.

Because if I can watch Raiders of the Lost Ark and want to grow up to be an archaeologist, there’s no reason at all that a boy shouldn’t be able to read THE DEMON’S LEXICON with its cover on. My friends, sexism doesn’t just hurt women, and our young men’s abysmal rate of attraction to literacy is the proof of it.

If you want to fix the male literary crisis, here’s your solution:

Become a feminist.