You’re Not Going to Spend a Lot Marketing This Book

So, I’m reading this absurd article on all the things you need to spend money on to market your own book. Oh noz, you have to pay a zillion dollars for a website, for a mailing list, for copy and editing for your website, wtf? I’m not even going to link to article because, seriously, WTF?

Here’s the deal. If you’re willing to put the time in yourself, you can do almost all of your book marketing for free. It may be worth it to you to pay for someone else to do everything- and if you’re in a position to do that, awesome! Go for it! But if you’re not, or if you’d prefer to have strict control over everything, here’s a brief guide to doing it yourself.

Blog/Website: More and more people are using Blog software to host their entire websites. WordPress is fantastically flexible, free and your URL can be an easily memorable yourname.wordpress.com. WordPress has about a zillion free themes so you can customize like whoa, and because it’s an integrated service, it shares your links on other blogs like yours to drive traffic. FOR FREE.

Blogger is another free host and software package that’s easy to use and customize for your needs. And you know what drives even more traffic to websites? Twitter. ALSO FREE.

Graphics: Graphics for your website, your bookmarks, your postcards whatnot- you can create them yourself for free, from the bottom up. Download a copy of GIMP image manipulation software, and play with it.

It’s not hard, and if you’re not design-oriented, download templates from a print shop, look at examples of other people’s bookmarks, and figure out the elements that you like from there.

Printing: If you have a really great printer at home, you can do your own business cards. You probably should pay a printer to make your bookmarks and postcards though. They’re not terribly expensive, especially if you buy in bulk.

Copywriting and Editing: This was possibly the stupidest point in the article. We’re WRITERS. Write your own copy for free- after all, you know your own bio and book better than anybody- and edit it yourself. Have a friend look it over for typos. Post.

Email Marketing: 1) If by e-mail marketing, they mean spamming a bunch of people, don’t do that. It’s annoying. 2) If by e-mail marketing, they mean create a mailing list for your readers– Google Groups and Yahoo! Groups are both functional, easy to use, and free to set up, use and moderate.

Review Copies: An unavoidable expense- even if you get a buttload of author copies, you still have to pay postage.

Publicity: You can post a press release for free on Free Press Release or PRLog, but don’t spend money on pay sites. Why? Because online press releases are an excellent way to beef your Google ranking and that’s about it. You know what else will beef your Google rating? Updating your blog frequently.

Learning: Oh hey look! This is where- if I were trying to make money off of you- I would ask you to send me money so I can send you all of my SPECIAL marketing tips that aren’t available anywhere else. Me, though, I’m going to give you links to my free marketing advice that you can use anytime you want at absolutely no charge to you.

Administrative: If you’re popular enough to need an assistant, you probably don’t need any marketing advice.

I know I sound a bit cranky, but it makes me crazy, crazy, crazy to see people imply that authors can’t possibly do any of this themselves, that authors should spend their entire advance and pawn their cars and firstborn children to promote their books.

It’s ridiculous, and it’s wrong. Yes, as authors, we do have to pay for our own promotion, but we do NOT have to pay for all of it. As you see listed here, you don’t even have to pay for most of it, if you’re willing to invest the time.

Or, more simply- please don’t let somebody selling marketing materials convince you that you need to buy marketing materials.

This is Not the End; It’s the Middle

Right now, my computer backdrop is a simple white-on-black sign that says “I would quit, but I still have people to prove wrong.”

It’s the same thing as persistence, except with some spite in there for good measure. I’ve been a working writer since I was 19; I’m now 40. I’ve gotten one residual check in all that time. None of my books have earned out.

However, I’m further along than a lot of writers. I’m debt-free. I put a down payment on a house with an advance. I’ve seen actors say my words like they were living them. There’s a shelf in my office that has nothing on it but my books. Mine, mine, mine. I got to edit an amazing anthology; I’ve been privileged to write for others’.

Right now, I’m between contracts. I’m splashing around helplessly in the YA contraction, trying to figure out what I love writing that will also sell. My family’s income will probably halve this year, and two books of my heart that went nowhere later, I’m frustrated. Depressed. Demoralized.

Now would be a good time to quit. Get a nice office job and stop playing with imaginary friends. I’m an adult, after all. I got to go to the show. I could stop while I’m ahead, I suppose.

But you know what? I collected rejection letters on my wall until I sold my first novel. I had 1200 I took down and burned in 2007. Not because the hard part was over. It wasn’t– but I moved on to the next phase.

Now I’m a midlist author with little name recognition and no major awards under my belt. I have minor awards and great nominations, but no starred reviews, no royalty checks. No bestseller lists or book challenges or reviews in magazines my grandparents would have read. I’m not as good as I could be. I have voice and place, but man, I need to work out this whole plot thing to reach the next level.

I retired from screenwriting (my day job) in 2011, but I just finished writing a new movie to pay the bills. I’ve picked up write for hire pieces. Short fiction is once again something I’m writing and trying to sell. I sent my agent a list 15 miles long of non-fiction subjects about which I would love to write for hire for tween and teen audiences, if somebody’s buying.

Here I am, back to collecting rejection letters and plastering them on my wall. It’s a new wall, the rejections are different. Scrambling with all that to pay the bills, I’m still working on a new book. I think it’s a worthy one. It won’t shut up and leave me alone. So can’t stop. I won’t stop. I’m not done.

I still have people to prove wrong.

~*~*~

(I originally posted part of this on Metafilter in response to Kameron Hurley’s On Persistence, and the Long Con of Being a Successful Writer)

How to Build a Mailing List: A Simple Guide to Data Mining

While authors may enjoy the art half of our industry, the business half can be confusing and overwhelming. For example, we could use a great mailing list, but where do you get the list?

The free way is called data mining, and anyone with some time, and an Internet connection, can do it! (And though this guide is written with the published author in mind, the same techniques can be used to build any kind of mailing list- agent searches, job searches, club searches- you name it, you can data mine it!

The most important part of data mining is figuring out what you need to know. You need to look at your book and determine who wants to read this, and who will help those people read it.

Sure, we’d all like to think everybody, but unless you have the funds for 30 million postcards, you might want to focus your efforts.

For my book, for example, I can break down the information I will need like this:

  • YA novel = I want to target independent booksellers who specialize in YA or children’s books.
  • YA novel = I want to target middle and high schoolers. Best way to get to them? Middle school and high school librarians.
  • YA novel about ghosts = I want to target independent booksellers who specialize in horror or genre novels.
  • YA novel set in Louisiana = I want to target independent booksellers in Louisiana.
  • Author lives in Indiana = I want to target independent booksellers and YA librarians in Indiana.

These are your basic categories- type of book (can be more than one category,) demographic of book, setting of book, author region. Now that you’ve narrowed your data requirements down from “every single person in the world” to, say, librarians in (your state), it’s time to fire up Google.

Here’s the beauty of the Internet- chances are, somebody more fastidious than you has already collected the information you need in ONE place. You just have to find it. Some of the best Google tools are simple searches. Start macro, and go micro- choose the broadest possible search terms first, then refine. For example:

indiana libraries returns PublicLibraries.com, which just so happens to have lists of EVERY SINGLE PUBLIC LIBRARY in the United States, arranged by state, with links to each library website.

Bingo!

Bookmark your state page, open a word processor, and get to work data mining. Start at the top of the page, and go to the first library website. Copy and paste the name and address of the library into your open word processor. Then, click around the site to see if you can find the name of the director, or the specific librarian you need. Try

  • ABOUT US
  • CONTACT US

Because these two sections are where you’re most likely to find a staff list with titles. And yes- this will take a long time. I like to do batches of 50, then switch off to another task so I don’t start making errors.

For each targeted area, you’re going to repeat that process, and you have to refine your search terms each time.

Sometimes, you have to go micro to macro- more specific to less specific. For example, “indiana independent booksellers” gives lots of great information returns, but you’ll discover that the IndieBound website is hard to use for this because it wants you to search booksellers by zip code. That’s great if you want to find one store, but not if you want to find all of them in a given region.

So if I go macro with just “independent booksellers”, not only do I find great resources like the Southern Independent Booksellers, Great Lakes Independent Booksellers = regional bookseller groups that often have their own awards, and other resources- but I also find American Booksellers Association– and their search page lets you search by state. Get to pasting!

This works for any major groupings of information you need. Try “school districts indianapolis” (replacing Indy with your town, of course!) to get a list of all the school districts in your region. Then go micro by searching for “[name of school district]“.

You’ll usually find a centralized page for the entire district, which then gives you links to each school in the district. Target appropriately- again, you’ll often want to use ABOUT US or CONTACT US to find out who runs the media center.

TIPS AND TRICKS

Can’t Find Staff Information for Schools or Libraries?

1) See if they have a blog. Most people use a variation on their name when they’re making blog entries- is the YA librarian posting as Saundra? Then check her e-mail address to get her last name. In the US, school and library e-mail addresses are packed with information:

smitchell@akron.lib.in.us

S. Mitchell at Akron Public Library, Indiana, United States

smitchell@msdlt.k12.in.us

S. Mitchell at Metropolitan School District of Lawrence Township, K-12 Schools, Indiana, US

2) Check the activity calendar- sometimes they’ll have contact information there that isn’t elsewhere on the site.

3) Check out the gallery- sometimes, there will be pictures of library events, nicely labeled with people’s names!

FURTHER REFINING YOUR SEARCH RESULTS

If getting more specific with your search terms isn’t helping, try using modifiers. Did you know you can use quotation marks, and plus and minus signs in Google to refine your search terms?

shadowed summer = A regular search, this returns information about my book, but also poetry with those words in it, anything about summer, anything about shadows- it’s kind of a mess. So I can refine my search like this:

“Shadowed Summer” = using quotes tells Google to search for that phrase exactly. Now all my search terms are either about my book, or they’re probably poetry that features the words “shadowed summer” in the lines.

“Shadowed Summer” -poem = Using the minus sign tells Google to EXCLUDE anything that includes the following term in the search. Now I’m finding anything that has “Shadowed Summer” in exactly that order, plus Google is now removing any searches that are specifically about poetry.

“Shadowed Summer” +”Saundra Mitchell” = Using the plus sign tells Google that you want search results for your initial search term that ALSO include the additional search term. Now I will only get results for “Shadowed Summer” that also include my name on the page.

You can use multiple + and -, but Google, like anything else, works best when you refine, rather than overspecify.

 

WEIGH YOUR SOURCES

Sure, there’s all kinds of information on the web, but some sites are more accurate than others. Weigh your sources when you search for information- a dated government website listing all the libraries in your region is probably more accurate than an undated Geocities website made by an unknown author.

If a website seems sketchy, or incomplete, check the information there against other sources. It’s especially important to have accurate contact information- you want to send your postcards to the librarian in charge of youth services now, not the one who retired in 1998!

 

ACCEPT LIMITATIONS

Sometimes, you just cannot find the name of the librarian in charge at a particular institution. Sometimes, you can only manage a last name. Or an initial. Or nothing at all. And that’s okay.

You can still contact an organization by phone or by e-mail to request specific information. And, some pages have Instant Chat help- just type your question, and get an answer in real time.

Don’t waste a lot of time searching when you could resolve your question with one phone call, IM or e-mail. Take a quick look at CONTACT US, ABOUT US, the blog, the pictures, and if you can’t find the info you need, send an e-mail and move on.

 

STAY ORGANIZED

You will end up with multiple files but fewer headaches if you organize like information with like information. One file for regional booksellers. One file for school libraries. Etc., etc., etc..

I like to keep my lists in an Excel spreadsheet. That way, I can mail merge from Word to make mailing labels, I can sort by certain qualities (all libraries in Kentucky, for example, or everything within a specific zip code, etcetera.)

One way  to organize your mailings is to print your labels on a sheet of plain paper, then on the sheet of labels. Staple these together, so when you remove a label, you can see the address through the backing paper. When the whole page is empty, you can see which addresses have already been mailed.

And… those are the basics of data mining: tighten your focus, macro to micro, refine, refine, refine.

That’s all there is to it- now all you need is time and patience. And cocola. Cocola makes everything better. ^_^

Even Good Queries Aren’t Stunning (II)

So, I posted my very first query letter, which was a pretty bad query letter. Agent/Writer/Deb Extraordinaire Mandy Hubbard popped by to say it wasn’t half-bad. And it wasn’t- with some tinkering, I did manage to get a couple of partial requests with it.

Here’s the thing- I think most competent writers will produce an okay query letter. I know you’re scared, and your whole everything is tied up in your novel, and it’s a big deal to be searching for an agent and OMGSTRESS. But seriously– if you’re a competent writer, your query letter is probably okay. Not great, but okay.

That’s why it’s important to send your query out in small batches. I would send it to 5 or 10 agents at a time. If I got no response or instant rejections, then I’d revise the query letter until it got a better response.

So let me show you a successful query letter. Notice I’m not calling it a good query letter. Because at the end of the day- it’s still a query letter. I learned from the first one, I had a draft of this that I tested, I tinkered and this is the version that I sent that got several partial requests, which ultimately led to representation.

Dear Ms. Agent:

Nothing ever happened in Ondine, Louisiana, not even the summer Elijah Landry disappeared. His mother believed he ascended to heaven, the police thought he ran away, and his girlfriend felt he was murdered. Decades later, certain she saw his ghost in the town cemetery, fourteen-year-old Iris Rhame is determined to find out the truth.

Enlisting the help of her best friend Collette, and forced to endure the company of Collette’s latest crush, Ben, Iris spends a summer digging into the past and stirring old ghosts in search of the truth. What she doesn’t realize is that in a town as small as Ondine, every secret is a family secret.

The difference between this and the Weston query? It sets up the conflict immediately. This is what’s going to happen in this book, and this is who’s going to do it. It also sets the tone, because it confides in the reader, guess what– there’s something the characters don’t know, dun dun dun! }

My name is Saundra Mitchell, and I’ve been a writer for fifteen years, both in film and fiction. Currently, I write the Fresh Films short film series, and shorts from this series have been juried selections at Academy Award-qualifying festivals for the last three years. In fiction, I’ve recently published “An Accounting of Sins,” short fiction, with Edgar Literary Magazine, and “Revival Season,” flash fiction, with SmokeLong Quarterly.

I still include screenwriting information in this query because by then, I was doing well enough to name check the Oscars, so I thought it might help. (It didn’t.) But, this time, I had excised the random, extraneous publications and focused on my fiction as my primary credits. }

“Last Summer’s Iris” is a Southern Gothic young adult novel, complete at 50,400 words, and I’d like to offer it for your consideration. I’ve enclosed five sample pages; please feel free to recycle them if they’re unneeded. Thank you for your time; I look forward to hearing from you.

Hey look, I gave the title, I gave the genre, I gave the category. Now the agent knows exactly what’s on offer here. And by this point, I had figured out that no matter how good (or bad!) the query was, I got a better response rate if I sent pages. If an agent asked for more than five, I sent more. If they didn’t say either way, I sent five pages. I also gave them an out to just throw them away instead of trying to stuff them in my SASE and search for make-up postage. }

Sincerely,

Saundra Mitchell

{This part, I still got right.}

Since I wrote both of my queries, you can see that they’re pretty similar.

But now that you’ve seen both, I think it’s clear why one was more successful than the other. The Weston query contains shockingly little information about the book. It’s almost a query that says, “I wrote a thing. Will you look at it?”

Whereas this query, for the book that became SHADOWED SUMMER, says, “I wrote this book. It’s about X, it contains Y, and it features Z. Will you look at it?”

My bad query wasn’t half-bad. And my successful query is still a query letter; the pages mattered the most.

So please take a deep, deep breath, and relax just a tiny bit. Querying is incredibly stressful, especially lately– but don’t let all the talk terrify you into believing your query letter has to be the word of the Muse dripped in gold-blood ink on the page. It doesn’t.

Write your query letter, send it in small batches. If you’re not getting a good response, revise the query letter! Send five pages (or more if the agent requests them.)

You can do this! And if #queryfail, #queryslam and Slushpilehell are getting you down, here’s a gif by Omar Noory that I enjoy when I need some perspective:

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